There’s even a sly reference to “Chungking Express” when Takeshi and Mirai hear a song by “Express” co-star and Hong Kong pop singer Faye Wong on the radio. The soundtrack is at times both eerie and airy, including popular songs and a moody score, similar to “Fallen Angels” and “Chungking Express”. Takeshi Kaneshiro appears in all three aforementioned films. The meandering pace and gritty settings are akin to “Fallen Angels”. If you’ve seen WKW’s masterful “Chungking Express” and “Fallen Angels” you will undoubtedly make comparisons between them and “ST”.
The director’s skill is evident and this lingering, expertly planned shot sets the tone for the rest of this gorgeous film. The film opens with a spectacular, uninterrupted lengthy tracking shot of Kenichi walking through the neon-washed streets of Kabukicho, Japan, which instantly reminded me of the similarly lengthy and uninterrupted introduction to “Boogie Nights” and the single-take hospital gun battle in John Woo’s “Hard Boiled”. “ST” is based on the book of the same name, which is apparently one of Japan’s most popular and critically acclaimed contemporary detective novels. Director Lee Chi-Ngai is amazing here, as are stars Takeshi Kaneshiro (“Chungking Express”) and Mirai Yamamoto. This meandering, slick and very Wong Kar Wai-like film is so confusing, you’ll instantly ignore the deluge of plot twists amidst a huge cast of characters and instead focus on the beautiful cinematography and adept direction. “Now it all makes sense,” says Kenichi, Takeshi Kaneshiro’s character near the end of the noir-ish thriller “Sleepless Town”. Cast: Kaneshiro Takeshi, Mirai Yamamoto, Lung Sihung, Eric Tsang, Kathy Chow, Seijun Suzuki
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